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Showing posts with label Agents. Show all posts
Showing posts with label Agents. Show all posts

The other day, good 'ol Brooks Benjamin, decided to pin me up against the wall and threaten my very existence if I didn't partake in doing a segment on MY WRITING PROCESS. Well, seeing how I didn't want to get sent to the depths of Hades under the wrath of Brooks mighty fists of fury, I gave in.

I'm kidding, it didn't go down like that. He asked me (very nicely), if I wanted to do it and I said "BUT OF COURSE!". Then he mentioned something that I would have never thought of. He said to me, "Tom, do it in comic form." To that I said....

HELL....YES.....my good sir...

On that note, I spent the week whipping out some fairly quick web comics for MY WRITING PROCESS. While my writing process isn't explained in these strips, it's more of a gag, I had a great time doing it. No worries, I'll also explain in detail what goes on in my bonkers head.

Feel free to click on the images to get a larger version of them so you can read them better.

QUESTION #1 : Who Am I?

(I really suggest listening to this while you read this first strip - MASTERPIECE THEATRE)



So who am I? Well, I'm 30 years old with the mindset of a teenager. Seriously, I can't picture myself even when I'm 80 not wearing video game apparel, and rocking my Saturday Mornings watching some cartoons and playing some old school games.

Before I was a writer, I was a wannabe artist. I was good in high school, and was a comic book fiend. I never payed any attention in class, and all I did was draw on my brown-bagged textbooks. So what does an artist do? He attends art school. I went to the School of Visual Arts with a major in cartooning (no joke, that's a major and that's what my degree says..BACHELORS OF CARTOONING / ILLUSTRATION. It's like clown school lol).

Well, I learned something in college. My creative side wasn't really in my art. I'm not bad...but I'm not good. My creative side was actually in my writing. I was delving into writing comic scripts (which I still do), and then novels. That's when I started working on some middle grade novels, which ultimately led to me developing my first agented manuscript, COPERNICUS NERDICUS. (which you can see a description of on the link to the left).

A shout out to my awesome agent, Dawn Frederick! *waves* Be sure to follow her @RedSofaLiterary

Of course, I still draw, but I mainly write. However, in a week or so, I will be unleashing my new web comic to the world that focuses on my love for retro gaming. It's actually a side-story to my COPERNICUS NERDICUS universe which is pretty exciting for me. After all, I need to kill some time during submission.

QUESTION #2 : How does my Writing Process Work?



I'm not going to lie. That's what happens a lot with my writing process. I get all pumped up, raring to go, and then you know what happens. I get distracted. My writing binges usually happen at the oddest times.

At work, I run a lot of reports and when I'm waiting for them to finish up, I tend to do a load of editing. At home, I dabble in writing in between watching TV shows, and going on a gaming run. But that's just when I write. How do I write???

Well, let's talk about coming up with ideas. I honestly have no clue where my ideas come from. Usually it's just from day dreaming. Something will pop into my head, and I have to feverishly write it down somewhere. Usually it's on my iPhone. After the idea starts to stew a little bit, I start whipping out a quick outline that I usually follow while I prepare my first draft. In all honesty, my outline is tied directly into my query. I write a query letter to make sure my story makes sense. After all, putting your story into less than 350 words makes you think about its core.

First drafts are a blast for me. I don't think. I just write. Sometimes whatever is coming out of my head is absolute gibberish, but I'm just trying to get my story down. This is where I feel bad for my beta readers, because I pretty much come across as an absolute amateur in my original drafts, but that's how I roll, baby.

After beta readers, it's more editing. And more editing. And then more editing. And then editing. And editing. EDITING...ED..I..TI..NG.....yup. Lots of editing.

QUESTION #3 : How does my work differ from other works in my Genre?

You know, I thought about this question a lot. First of all, with COPERNICUS NERDICUS I can't find any legitimate "video game" focused middle-grade books out there. I mean there are a few futuristic based and dystopian based books (that are pretty damn good mind you), but nothing that takes place in this era of Video Games.

I tend to focus on my interests, and blow them up to a point where it can catch everyone's interest. I wrote COPERNICUS NERDICUS for the video game lovers out there, but I know I couldn't just write it for gamers. So I built an adventure-heavy, mystery diving plot into the book. It's all about figuring out who your platform is for your books that your writing.

QUESTION #4 : Why do I write what I do?

The thing is, my works are all bits and pieces of me put onto paper. It's all of my childhood dreams, and even my current dreams transformed into a middle-grade universe. I figured, hey, I'm crazy enough and act enough like a kid that other kids would enjoy my insanity! It could work, right?

I feel like I relate with kids more than I do anyone else. My wife says I'm never going to grow up. So do my parents. So does everyone else that I run into. But you know what? I don't want to grow up. What's wrong with wanting to live through the eyes of a child? I feel like I enjoy things more that way. I'm not saying I'm not mature. I whip out the maturity when I have to be. I'm like Robin Williams. Goofy most times, serious when I have to be. I'll run around my office doing impersonations.

Who else sits at their desk and talks like Smeagol while they enter reports? Me.

That brings me to why do I write middle-grade? Well, for me, it's all about being that kid at heart and pulling out that kid mentality and throwing it on paper. It's a venting system for me, and hell, it works.

QUESTION #5 : What are you working on now?

That's a bit of a secret. My beta readers know about because they just finished ripping it apart. But I'll give you a few clues because I kind of have to with this question. Picture Indiana Jones.....just cooler. Hahaha. Alright, alright. I've been working on a query for it so I'll put it here along with my final web comic on some of the things you'll see in my next book.....LUCAS PEREGRINUS and the ESCAPE FROM MANUKI ISLAND.

(please ignore the horrendous query below, it's in the alpha draft phase lol)

For thirteen-year old, Lucas Peregrinus, summer vacations were never anything to brag about. After all, being stuck on an island in the middle of nowhere surrounded by Easter Island Moai statues wasn’t exactly his idea of fun. But when Lucas uncovers a relic that could lead to the forgotten Polynesian island of Manuki, his summer vacation enters uncharted territory.

Lucas and his archaeologist father take to the skies in an attempt to discover the island and the fabled Manuki Idol. The idol, worth billions could be the break the museum was looking for and secure his dads standing as lead archaeologist for the Museum of Natural History. But the vile, millionaire relic hunter, Arthur Stanwall, is following their trail and will do anything in his power to get his filthy hands on it first. After losing him in a mysterious storm shrouding an uncharted area of the Pacific, a shadowy creature stalks Lucas and his father from above and overtakes their plane. Lucas awakes from a crash to find that they are castaways on Manuki Island. 

But Stanwall is already there waiting for them.

On the island, Lucas befriends a local masked native named Kahu, who helps him unravel the mystery hidden behind the fabled Manuki Island and its priceless idol. But ancient treasures aren’t the only thing hidden on the island. A gigantic creature is hunting them in the shadows. To make matter worse, if the idol is taken, the once dormant volcano  on which the island lies on will erupt, destroying the island and its people.

It’s up to Lucas and Kahuto rescue his dad and prevent Stanwall from stealing the idol and therefore destroying the island. But Lucas needs to beware, for the island will do anything to do protect its secrets.

I hope you enjoyed that little trip into MY WRITING PROCESS. Be sure to check out others on #MyWritingProcess hashtag on Twitter. And thanks again to 'ol Brooks for asking me to do this. I had a blast.

*gulps* The CALL

You've been waiting for this day to happen for what seemed like an eternity. Since the first word fell on the page, until the last. You've done your research and you've queried only agents you know that would be interested in your epic tale. A handful have gotten back to you and requested pages, and some of them have even upgraded to full manuscript requests.


Then it happens.

You receive an e-mail (or a voice mail) and you can't believe it. An agent wants to schedule a phone conversation. That's right, an AGENT WANTS TO TALK TO YOU!


YES, YOU!

You are about to make - THE CALL!!!




Feel free to dance! You've earned it! It's no easy feat to get this far, but through perseverance and hard work, you've done it! But now the most important thing is not to panic, and not to let excitement get the better of you. It's time to put your business hat on.

When I first received the e-mail that my agent wanted to talk on the phone, I couldn't believe it was happening. I remember exactly where I was too when I saw it come in. I had just come back from Cape Cod, and picked up my dog from the kennel only to realize I had no dog food left at home. I was at the pet store, and lo and behold the e-mail came in. I responded almost immediately and arranged a call for the next week.

The first part of the call is all about preparation. It's a great way of calming your nerves too. I'll assume by this time you've done your research on the agents you've queried so you pretty much know what to expect in terms of what they're looking for, what sort of clients they have, and whether or not they are a boutique agency. But now is the time to prepare a list of questions that you can ask them.

Here is a handful of questions that I had locked and loaded for my phone conversation -


  1. What did you enjoy most about my work? What are my strengths? What are my weaknesses?
  2. Are you an editorial agent?
  3. Will I be working solely with you or with someone else at the agency as well? An Intern?
  4. How long have you been an agent?
  5. What are your most recent sales?
  6. How many clients do you currently have?
  7. Can I speak to a current client of yours? (this is insanely important. I can't stress how helpful it is to get insider feedback from someone already working with the agent. It's VERY helpful in making your decision!)
  8. Are you interested in future works by me?
  9. What happens if you can't sell this manuscript?
  10. Which publishers did you have in mind for my work? Will you update me on the submission process?
  11. Besides the novel, what other routes do you feel we can take this manuscript? (great when talking about merchandising, film rights, audio books, etc.)
  12. How much work is needed to prepare my manuscript for submission?
  13. Will you help with my proposal?
  14. Do you work with international rights?
  15. Do you have a verbal or written contract? (although I think now a days most agents seem to have a written contract. It's the best route too. Cover your bases)
  16. What is your percentage? Most agents to my knowledge are 15% domestic and 20% international.
  17. What would happen if we have to part ways? (if it turns out it just isn't working out. This does happen, as unfortunate as it may sound)
  18. What do you look for in a client?
  19. What questions do you have for me?
Now I'm sure you can come up with some other questions that are more specific to you, but this is just a general list I had scavenged up. It's better to be prepared though, trust me!

So the day arrives, and you're waiting for the agent to call you. The phone rings, and the first thing that comes out of your mouth is some sort of gibberish that you never knew was in you. Your nerves have gotten the better of you. It's all over! You've domed yourself!


Alright, alright. Calm down. Here's the most important thing to realize. AGENTS ARE PEOPLE TOO! They are JUST as excited to make the phone call as you are to receive it. There's a reason they are calling you, and it's because they LOVE your work!

Let the agent lead the conversation. Be personable, friendly, and throw in a sense of humor. You don't want to come across as a robot. Unless you are one. Then that's pretty cool. Anyway, they are calling you because they want to know if they can work with you. It's one thing for them to fall in love with your manuscript, but they have to know that you aren't going to be some crazy person too. 

Okay, you can be crazy. But not TOO crazy. 

Now the agent is going to be asking you a lot of questions. Think of it as a casual interview. They're trying to get a read on you and how well you know the industry and how it works. And to prepare you for this, I've even drummed up a list of questions I remember being asked across my phone conversations, and some that I had even planned to be asked about!

  1. How did you come up with your story?
  2. What is your platform?
  3. What is your target age group?
  4. How are you involved in social media? What is your presence?
  5. How would you market your book?
  6. What are your goals with your book? What are your expectations?
  7. Do you see this as a stand alone, or a series?
  8. Are you working on anything else currently?
  9. What do you look for in an agent?
If all goes swimmingly, you and the agent are probably having a shockingly smooth and natural conversation! Just when you think it couldn't get any better the agent hits you with this -

"I would love to represent you."

Feel free to dance again.


Okay, okay. That's enough. 

I know part of you wants to just scream YES, but hold on there! Aren't you forgetting you have other agents out there with your manuscript?

The first thing you want to do is thank the agent for extending the offer. Tell them how excited you are and how much you enjoyed speaking with them. Then tell them you would like a week or so to decide, and that you also need to get back to other agents regarding this turn of events. Trust me, they'll understand. It's business. They know you have been querying other agents, and they probably assumed other agents already have your work. They aren't going to retract their offer just because you asked them to wait a little bit. 

It's a courtesy! And it's very professional of you. Once you say your goodbyes, and you've caught your breath, go ahead and do your third little dance...yeah yeah, go ahead. Do a little jig.


Done? Okay.

Now all you have to do is e-mail every agent out there that has your manuscript currently and let them know that an offer of representation has been extended to you. It's up to you WHO you want to send it to. I personally sent it to agents that had some form of my manuscript (whether a partial or a full). Some of them will get back to you, some of them won't. You might find yourself scheduling a few more phone conversations in the next week depending on how much time you gave. 

Typically, the best mindset is to give around 7-10 days. That should be enough turn around and enough notice for everyone. Not too long. Not too short. 

After another 2 weeks or so, you've had all your phone conversations, and you may have even received a few more offers of representation. The only thing left to do now is decide who you want to champion your book. Now I cant make that decision for you, but I can leave you with a little piece of advice.

Go with your gut. Usually that's the right route to take. That one agent you KNEW you had an awesome connection with is probably the one who is going to work the hardest to sell your manuscript. 

And don't forget to pat yourself on the back - you did good, kid. Go treat yourself to some pizza.


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